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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Judith Wright with Barbara Blackman

Friendship’s rhyme and reason

Nearest & Dearest

Poetic trio

Lucy Escott

An international troupe of two

It's Complicated

Office romance

The family

Literary lovers’ life liaison

Lust

Desire drives forbidden love

Blue Wolf, 2014

by Imogen Henry
General content

Finalist, MDPA 2014

Our only concern is the void, 2013 by Nik Lee, video: 12 minutes

Our only concern is the void, 2013

by Nik Lee
General content

Winner, MDPA 2013

David Malouf

2012-13 Acquisition Fund

Annual Appeal

The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.

Chris Wallace-Crabbe

2014-15 Acquisition Fund

Annual Appeal

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Kate

Favourite portraits

General content

National Portrait Gallery staff introduce their favourite portraits from the exhibition.

The Lawson

The Lawson

Moustaches

It’s curious that one of the writers most associated with the toughness of Australian bush life was himself not an exponent of the matted, rugged bushman sort of beard.

The Parkes

The Parkes

Beards

It wasn’t uncommon for the pro-beard fraternity of the mid nineteenth century to cite beards as a sign of wisdom on the grounds that Socrates and other ancient philosophers had worn them.

image not online

Icons Syndicate

Lists alphabetically
Honour board
Arthur Streeton

The 1890s to the 1940s

Mo and beard timeline

Although the tough, weathered, hard-drinking bushmen of the kind mythologised by writers like Banjo Paterson and Henry Lawson are popularly associated with the character of late nineteenth century Australia, it was also a time when alternative ideas about identity began to come into play.

Marianne Egan and her children Gertrude Evans Cahuac and Henry William Cahuac

Maritime disaster leaves poignant picture

Devotion

Absence rends the heart asunder

George and Jemima Billet with family

In the most correct style

Nearest & Dearest

Desirable outcomes, undesirable origins

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

Some women you may not know, 2022-2023 Alison Alder

Some women you may not know

Alison Alder

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency